Tokyo Ghoul Episode 12

This finale heavily used white and red for compositional purposes. White is often associated with purity and good. Red is an intense and eye grabbing color that’s attached to strong emotions, whether they’re positive (love, passion, excitement) or negative (hate, pain, violence). The latter being the representative meaning of red in this episode.

The centered wide shot of Kaneki and Rize gives a strong visual of what each character represents. The white flowers are an imagery of what Kaneki aspires to be, which is kind, pure and caring just like his mother. Rize is the ghoul side of Kaneki that infringes upon this vision of himself and tries to awake his real emotions. This is reinforced by the white flowers turning red within her vicinity.

In Kaneki’s memory sequence about his mother the white and red flower imagery continues to hold significance. In the first shot, the white flowers are symbolic of a happy moment that exemplifies his mother’s kindness. In the second one, the flowers turn red as Kaneki re-experiences the painful memory of his mother dying. These shots also show that imagery can be the point of interest despite being in the background and even out of focus as long as it’s established convincingly.

The overhead shot of Kaneki and Rize in a sea of red flowers is the culmination of long held emotions being released. First of these emotions was the pain of not being chosen by his mother over his aunt and the resentment that came along with it. More importantly the red signifies his choice to be a ghoul and the acceptance of violence for the sake of people he cares for.

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I really liked the way this scene uses circular camera movement. It functions as a way to put more dramatic focus on Kaneki’s anguish and to transition to the horrible vision causing that anguish. The circular movement almost feels like a cycle of pain and misery.

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The use of one point perspective in these shots works in multiples levels. Both shots make Kaneki look distant from what he’s witnessing. It communicates his feeling of helplessness, unable to do anything as he watches his mother get taken advantage of. These shots also isolate him and create a sense of loneliness that stems from his mother’s inability to choose him over anything.

Tokyo Ghoul Episode 1

This early scene immediately establishes the dark tone of the show with the heavy use of shadows and silhouetted characters. I also liked the used both warm and cold colors to add to the grimness. Red obviously symbolizes violence while purple has that cold hearted intensity to it.

During Kaneki’s surgery he had a really vivid vision resembling a near death experience. The long shot above provides an imagery of his transition to being not quite human and not quite a ghoul. Kaneki is swimming towards the light that represents the humanity he is seemingly trying to grab hold on to. The darkness below is the ghoul in him pulling him down and as a result he is in limbo as represented by the red.

This high angle crane shot demonstrates Kaneki’s feeling of isolation and separation from other humans. The blue hue is a color that emphasizes his state of depression. This could also be interpreted as him being a predator amongst the herd. 

The clip above is Kaneki slowly realizing that he has the characteristics of a ghoul. The constant slow push of the camera builds up the sense of panic growing within him. As his panic reaches its peak the camera goes into an extreme close-up of his eyes to show his expression of fear. The close-ups of his mouth and food reinforce the importance of how taste would define his humanity.